Posts Tagged ‘hip-hop’

New Diddy= Straight Fiyah


14 Dec

So last night in my 1am itunes prowl I stumbled upon Diddy-Dirty Money’s new album Last Train To Paris. Another failed attempt by Diddy I thought. More “All About The Benjamins.”  More of Puffy/Sean Combs/Diddy’s giganto ego.  A little sampling and I discovered how wrong my assumptions were.

Not knowing what “Dirty Money” was, I got my google on and found out that it is his new group consisting of a girl from Danity Kane and songwriter Kalenna Harper.  The new album with Diddy-Dirty Money also features 16 guest vocalists from the likes of T.I., Lil’ Wayne and even Grace Jones.  He is describing it as an “electro-hip-hop-soul funk” album which has been influenced by his experiences at Ibiza aka paaaarty island.

Wherever Diddy dreamed it up, it is brilliant.  It’s modern soul/hip-hop without all the gangsta that will keep banging hits out through 2011.  Even the album cover looks like something Groove Armada would put out.  I bought the whole $13.99 worth of it and think it will be my purchase of the month.  The first song I sampled was “Coming Home” featuring Skylar Grey.  Also, check out “Hello Good Morning” featuring T.I.

Diddy-Dirty Money feat. Skylar Grey “Coming Home”:

Das Racist


13 Oct

I’ve been throwing it back a lot lately, and so I thought I needed to get some new music up in here. And so we have Das Racist.

I am going to guarantee that you will be bumping Das Racist by the end of the day, if not the end of the week. Watching their videos reminded me of the opening scene of Office Space when Michael Bolton is rapping to Scarface’s “No Tears” in his car. These guys look like they should be studying economics, not blowing you away with their rap skills. But they do hip-hop very well.

Das Racist’s first big hit was 2008′s “Combination Pizza Hut and Taco Bell.” I loved the name of the track so much I almost didn’t want to listen to it for fear it wouldn’t live up to its name. It does. It’s quirky, catchy, and so slick it almost leaves behind that greasy Taco Bell or Pizza Hut taste in your mouth.

And now they are sampling Billy Joel’s “Movin’ Out” in their new release, “You Outta Know.” Their style isn’t crisp by any means. Even kind of purposely slurred, lazy, and messy in spots. But it works.

Here is “Combination Pizza Hut and Taco Bell.” I also recommend you check out “You Outta Know” below. I pasted it as a link and view it at your own discretion. It alludes to marijuana cigarettes illegal activity and also uses the f-word. So they aren’t the best role models. Hell they are horrible role models. But they can rap.

“You Outta Know”

http://www.youtube.com/watch?v=NzCukmO4fhg

Throwback Thursday: Regulate


16 Sep

It’s Throwback Thursday, and we’re kicking it off with a little Warren G featuring Nate Dogg and “Regulate.” You’ll remember the song was initially released on the soundtrack to the film Above the Rim starring hip-hop great Tupac Shakur.

Back in the summer of 1994, this was the summer jam. If you think that a then 15-year-old girl (me) and a then 11-year-old girl (my sister) from Brookings, South Dakota couldn’t hang with the Crips in the LBC you are wrong my friend. We had this thing cranked in my parent’s conversion van faster than you could say “the Warren to the G.” Oh, and my parents were in the vehicle tolerating it. All we were missing were hydraulics.

To this day I would rate in this order (worst to best): my mom’s rapping skills to “Regulate,” followed by mine and then my sister’s. That 11-year-old had the cassette single so worn out that the cardboard edges of the box were starting to rip. Now that is thug love.

The popular belief was that Warren G was Snoop Dogg’s nephew but that’s not true. Snoop was a childhood friend of Warren. However, there are some familial ties in this circle. Snoop’s cousin is Nate Dogg (featured on “Regulate”). Dr. Dre is Warren G’s stepbrother. Snoop was discovered by Dre through his connection to Warren and if you can follow all of that then you must watch All My Children regularly. These four anchors of Death Row Records were tight. And in the early/mid-nineties they (and don’t forget 2Pac) rescued the world from the grips of Boyz II Men and solidified hip-hop as mainstream.

“Regulate” samples heavily from Michael McDonald’s Hit, “I Keep Forgettin’.” I actually free-styled “Regulate” over “Rapper’s Delight” one night in Minot but that is a story for never another time. Hear a DJ mash up of it in a Minneapolis club and the whole place is on its feet. The 1994 hit put funk on a whole new level. And Warren said it best; “the rhythm is the bass and the bass is the treble.”

jukebox hero

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